Designed and created by the 4F company, the clothing collection combines Slovak folk art with elements of French elegance. It is made of modern, high-quality, ultra-light materials. Several items ...
Tinka Slovakia was actually raised in the Czech Republic, but she moved to Slovakia over 15 years ago, and calls the country home. This steamy MILF loves to get hot and horny while the world ...
It is the aroma of generations past, of grandmothers who fill kitchens and hearts alike with treats made to be shared.
One perennial want under any effective totalitarian state is the appeal to history, of course. So it’s not surprising that at ...
Even though from today's perspective, we speak of Young Poland's ‘chłopomania’ (a term describing a fascination with peasantry), the relationship between folk art and the early modernists who drew ...
The definition of American folk art is notoriously difficult to pin down. In the twentieth century “folk art” has embraced everything from Pennsylvania German frakturs to eccentric architectural ...
Uttar Pradesh's Tribal Pride Day festival, starting Nov 15, will feature international cultural teams from Slovakia and Vietnam, alongside artists from 22 Indian states, celebrating the rich legacy of ...
The Kentucky Folk Art Center (KFAC) is one of Kentucky's unique places. The center houses a permanent collection of nearly 1,400 pieces of regional folk art. The works displayed portray the culture ...
Zuzana Caputova rose to the Slovak president’s office on a wave of outrage over corruption and her historic win signaled hope for millions of her country-folk. Five years after the 2019 win ...
U.S. News Insider Tip: Located 2.5 miles south of the Santa Fe Plaza on Museum Hill, the Museum of International Folk Art neighbors the Museum of Spanish Colonial Art, the Museum of Indian Arts ...
Hard to believe he was the goalie of record in Slovakia's tournament opener, when Canada blew the doors off the underdogs 8-0, but that served as a wake-up call for the squad.
By Jillian Steinhauer Tamara de Lempicka’s first major U.S. survey invokes her as a trailblazing techno-feminist who borrowed freely from art history. But it also buries her erratic second act.